
Just before 8 o’clock in the morning of January 2007, a young man wearing jeans, sweater and a baseball cap steps into a subway station in central Washington DC. He picks up a violin from a case, puts the case on the ground in front of him with a few coins in and for the next 43 minutes he plays six classic pieces. During this time, 1 097 people pass. Twenty-seven of them put a coin in the case, usually on the go. Only seven people stay up and listen for at least one minute, including a three-year-old black boy who needs to be violently pulled from the place by his mother. The total revenue is 32 dollars and 17 cents.
This could be a regular mediocre street musician, but it was not.
Continue reading “We only see what we expect to see”
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